Business as usual or meet the lone gunman(UA-66627984-1)

TSBD

TSBD 2nd floor drawings

Special thanks once again to Gary Murr.

If anyone feels inclined to build a 3D model then do let me see the end result :)

These are  detailed drawings made by members of the FBI Exhibits Section of various areas of the TSBD building. They were made in the first week of December, 1963, and were used in conjunction with the eventual construction of the FBI model of Dealey Plaza, TSBD, etc

These are of very nice detail and shows how short the area was from the first door to the lunch room door. So Oz was standing in the opening of the lunch room and Baker was inside with the door behind him shut, and then Truly leant in……….right.

FBI File:  62-109060-3961, Box 104A, Folder A1-1.

Detailed drawings of the front steps of the TSBD

Special thanks to Gary Murr for these who nabbed them from the Archives. So make sure you credit him if you are using these.

These are  detailed drawings made by members of the FBI Exhibits Section of various areas of the TSBD building. They were made in the first week of December, 1963, and were used in conjunction with the eventual construction of the FBI model of Dealey Plaza, TSBD, etc.

FBI File:  62-109060-3961, Box 104A, Folder A1-1.

Debunking The 2nd Floor Lunchroom Encounter one year later.

Just over a year ago, after 4 attempts! Rob Clark and I managed to do a good chat on the 2nd floor fugezi.

It ended up being the No.1 listened to show with up to this point with 1,049 Plays and 3,967 Downloads. Just over 5,000 listens. This amount was way above the average show ratings and to this day it is the No.1 show being way ahead in front of the No. 2 show. It is just a crying shame the LGP is no more. 

One year on I would have done some things different. The essay was only out by a month and since then it has been updated twice with a lot of extra information.

You can listen to it HERE.

Meanwhile I will try and make a new interactive presentation on video very soon.

By Stan Dane.

New updates to 2nd floor encounter paper

A second update has been applied to the Anatomy Of The Second Floor Lunch Room Encounter paper. A mirror link of this paper is available at the Dealey Plaza UK Website. It has been made by Bernard Wilds. Many thanks Bernard!!!

I have added
 St. Louis Post Dispatch article from Nov.26 1963 added on page 8.
 Medicine Hat News newspaper article added to “Research history….” page 10.
 Link to newspaper article from The Houston Post (Nov. 23rd) with Billy Lovelady’s remarks added. Page 30.
 Norman Redlich memo (3 pages) discussing the elevators added to “The Stairs and The Elevators” chapter, pages 50-52. Thanks to Malcolm Blunt for this!
 Text added to page 53, in the chapter “Did Truly Walk Ahead Of Baker”, with regards to the
Secret Service agents taking statements of the TSBD employees in early Dec. 1963.
 Also added in the re-enactment chapter I added an article by the Dallas Morning News on page 118.
 FBI re-enactment photo added, from Robin Unger, page 119.
 Document of Thomas J. Kelley added with regards to the Secret Service re-enactment on page 120.
 Set of FBI re-enactment photos added, which I managed to score at the Holland McCoombs collection. Added these, as they are rare and have not been seen before by many. Pages 122-126.
 Photo added of Marrion Baker alongside with fellow DPD officers and John Sherman
Cooper in Wa. Page 129.

 

Meme by Stan Dane.

Roy Truly interview 1964

This Roy Truly interview was done by Will Lang for Dolores Kraich and sent to Holland McCombs, who was bureau chief for TIME and LIFE magazine in Rio de Janeiro, Buenos Aires, Mexico City, and Dallas.

It deals with Truly’s recollections of Oswald’s job application, the day of the assassination, the second floor lunch room encounter, but also delves into the whole Doorway man matter.

Any nuggets?

A few:

  • Truly, on page 2 describes Oswald as an ‘undetected paranoiac’
  • Page 3,  he states that Oswald could not have known about the motorcade passing by the TSBD until 72 hrs beforehand. And starts to speculate about and eventually condemns Oswald heavily “But as I suppose we all now realize, he had to shoot somebody or do something big. He probably would have shot anybody who was big enough if he had the chance or could make the chance”.
  • Page 4 digs into the doorway-man Lovelady vs Oswald saga.
  • Page 5, he discusses the day JFK got shot. He mentions Lovelady and being outside on the steps, and himself standing in front of those steps near the curb of Elm.  What is downright rubbish is his description of a wave of people making their way back and that Baker had to push his way though the crowd. The Couch and Darnell films show that Baker had a clear run towards the TSBD building.
  • On page 8 he contradicts himself regarding this wave of people. “there were not so many people out there in front of this building when the President’s car passed here”
  • Page 9 shows that the author(s) forwarded a copy to Hugh Aynesworth in 1967.

 

Overall a well rehearsed interview, a puff piece by the looks of it, but Truly makes the same mistake again like he did with his statements, testimony and newspaper reports, he always adds info that makes one question his claims.

 

 

Prayer Man on Dutch TV and Radio-1

Monday the 14th I joined Monique Sleiderink  of TV Oost (that’s the local Dutch TV channel for the East of the country) for an interview about Prayer Man. I had a great time, simple as that. Hope to join them again when the book is out. There is a nice page made up on RTV Oost’s website. In Chrome right click and choose translate. Here are some pictures taken during the TV show, one with Monique outside in the corridor and some screenshots of the video itself.

And on the 22nd I did an interview for KRO/NCRV’s Groot Op 5.  They had picked up on my TV oost appearance and wanted to do an interview the next day, but I was travelling back then, so we postponed until the 22nd. Again a short interview about 4 minutes which was great to do.

Both interviews have taught me a bit about trying to get the message across in a short amount of time, as if I were to put the evidence forward I would need at least 4 hours :-)

I have been given both recordings and I shall supply the videos with subtitles and upload to YouTube in due time.

The steps of the TSBD

Thanks to Brian Kelshaw  for the pix and Scott Reid, his willing assistant.

 

The Death Of Prayer Woman part-2

So the lads have been back at it again, this time using the Wiegman film. After being obliterated by my previous post Duncan MacRae, Carig Lamson and Brian Doyle aka as Ralph Yates on Amazon and Albert Doyle (the dead father’s account) thought they’d give their verbal excrement technique another go.

Let’s compare pix shall we? In this case size does matter!

The Chris Davidson GIF, from Dave Wiegman stills. Source: Death In Dealey Plaza. Resolution of this DVD 768 x 576 px.  Let’s take a look at a sample of this in a 1920 x 1080 px window. I am doing this for comparison reasons. This is not the exact same frame. This is a screen grab I managed to get myself from the DVD in question.

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Click pic to enlarge.

The real source for this version of the Wiegman film is a theatrical newsreel version from 1964 from UCLA, the makers of the Death In Dealey Plaza would probably have a 5th generation copy to make their dupes from so that makes this a 6th or even a 7th generation, since their tapes were transferred to DVD and the screen shots used for the GIF are then  8th generation repros.
1st gen: Wiegman original
2nd gen enlargement to 35mm
3rd gen postive film sold on to other companies such as Hearst and UCLA
4th gen negative made from positive
5th gen makers of DIDP get a copy.
6th transfer to tape then the question is does it go from tape to DVD or from the dupe they got from UCLA. My guess is the former rather than the latter since there is not a huge difference in resolution and this happened more than ten years ago (the dvd rel. that is)
So the DVD would be the 7th gen.
The CD Gif the 8th
The Prayer Woman image the 9th!

Now we take the CD Gif and place it in the same window, yes that is how big the original is. Chris rotated the pic to make it line up with the other shot. It has had some post production as the contrast has been increased and the photo appears to be lighter. But size-wise it is pretty much the same as my copy.

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Click pic to enlarge.

Now I post MacRae’s PW image next to the same GIF. And also inserted a 400 DPI version of the same CD GIF next to it.

2-macraes-growths

Click pic. to enlarge.

 

 

So an 8th generations deep reproduction of an image, in its size as shown in the photograph above is being drastically cropped, “enhanced” and manipulated and becomes the actual 9th generation copy.

From this so called enhancement we can conclude the following:

  1. It’s size has been increased significantly even tho the resolution of the enlargement has been set back at 72 dpi.
  2. Increase of contrast and darkened overall
  3. The top of Prayer Man’s head has been cropped off.
  4. The appearance of wheel barrow man, if Prayer Man is Prayer Woman then surely MacRae, Lamson and Doyle can explain the sudden appearance of wheel barrow man. Not that anyone will believe this to be someone, but this points at things are being ‘made to appear’ inside that picture due to its excessive enlargement and post-production.
Wheel barrow man!. Click pic. to enlarge.

Wheel barrow man!. Click pic. to enlarge.

 

Now I place the Sprague neg. (No. 3) in there, the negs that we scanned in with a flatbed scanner have a much higher resolution than anything else publicly available and shown by any photographic researcher. This is not the exact frame as the one inside the CD GIF (No. 1) but it is very close. And the MacRae interpretation at No. 2.

The generations for this particular shot would be:

1st gen: Wiegman original.
2nd gen enlargement to 35mm.
3rd gen postive film sold on to other companies such as Hearst and UCLA.
4th gen negative made from positive.
5th gen is the positive made from that negative sold to Sprague.
6th gen are the Sprague negs.
7th gen the scans of which you see the one on the right (No. 3). They are also reproductions from large format negatives.
Source: letter from Richard E. Sprague.

6-comprison

Click pic. to enlarge

In all honesty the area that has been enlarged and manipulated by them is even smaller than shown with the No. 1 pic since they cropped the top of his head off.

I have left this image untouched besides drawing a marquee and applying auto levels to bring Prayer Man out a little more out of the darkness. The dust, even the hairs and scratches are visible on it and even that is enough to kill off the glasses, the bag, the teacup (nice touch Dunc’ but that’s stretching things a little too far….) and all the other make believe hooey advocated by Doyle and MacRae. But here it is at its best. Mind you that these are flatbed scans and we are in the process of getting these negs properly scanned in. And I for one cannot wait to show them!

MacRae and Lamson provide absolutely no evidence of how these images have come about, they are not able to reproduce any of it on any other Wiegman frame and they shroud their work in secrecy instead. Doyle just whimpers on like an unruly child, but it’s his crazy deluded headset that is most worrying, his Fetzerian remarks which are interlaced with Cinque style delusions are to be monitored closely.

 

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447-doyle-padded-cell-2

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Skillful photo experts, something Doyle keeps coming up with as support for his delusions, would not go along with his plan at all in the first place. They’d say GTFO and get me the best copy available, instead of messing about with 5th-9th generations down. So how about it Doyle? While you were taking a selfie in front of the TSBD did you bother to go inside and ask for the first generation copy of the Darnell film? Of course you did not……….

They can only debate fuzzy pictures, since they cannot refute the other mountain of evidence that places Oswald on the first floor and outside on the landing while JFK was blasted away.

Finally make up your own mind about this, but I know who my money is on and he ain’t a she.

By Stan Dane.

By Stan Dane.