Business as usual or meet the lone gunman(UA-66627984-1)

Photography & Film

June 2022 update

Greetings!

First of all a small discovery in Darnell, finally some better focus on the group in  the James Darnell film that is about to and is ascending the steps on the bottom left stairs. We can see two women who ascending who both look to the left down on Elm St. Click the photo below. This shot, even though at miserable quality, allows me to discern what is actually happening on the bottom left of the steps. In other Darnell copies the frames are way over exposed and blurred.   #payattentionbrian !!!!

The TSBD workers ascending the stairs. Click to enlarge.

At this time my money is on Patricia Ann Donaldson being the woman with the scarf over her head. And the other lady in black (ID still unknown) is the one who stood next together on Elm.

Patricia Ann Donaldson in the Dave Wiegman film on Nov 22 1963. Click to enlarge.

Then the Anatomy papers, I like to think I am done for now. There has been about a two year delay due to my activities with the Malcolm Blunt archives. This delay was needed due to the quality of documentation found at Malcolm’s. And the problem with that was that it was spread all over his filing cabinets inside many unmarked folders. I was not just digitising the archives, but I was discovering at the same time.  So that meant that getting these papers ready took way longer than originally thought. After April 2021 I barely looked at them until I had finished with scanning the first phase of Malcolm’s documents in Nov last year. In Dec I started to research, create two new papers and  and make amendments to earlier released papers.

Yet I also know that there will be some updated content in the form of quotes of interviews of various people being added in the near foreseeable future.  We spoke with Roy Edward Lewis in 2018 and 2022 and this material is being transcribed as we speak. Plus a set of other interviews, so that update will be there by end of Summer. The only other question remains is to condense all work into one file instead of four.

And thanks for the great feedback on my previous article, a newish chapter of the Anatomy of the Second Floor Lunchroom Encounter

I reckon in about a week the papers shall be released for y’all to plough through. Until then!

 

JFK Revisited Through The Looking Glass & Destiny Betrayed

JFK Revisited Through The Looking Glass & Destiny Betrayed

 

Last November 2021 the new Oliver Stone & Jim DiEugenio documentary film JFK Revisited Through The Looking Glass was released. Oliver Stone had quite a mission getting this documentary shared to the masses as National Geographic and Netflix had passed on screening it. It was his visit and showing at the Cannes festival that got things on track and he managed find distributors. I have watched a fair bit of JFK assassination documentaries these last 20 years, but I always have an issue with all of them, they all intend to cram in as much info as possible in them. Take a detective like Jim Leavelle i/e who was there over the three day period and summarises it in two or three sentences, where is the value in that? It never seems to work, the real evidence is missing and it is only his opinion. Also due to this assassination from a subject p.o.v. being so widespread, there is simply too much information available to squeeze in the allotted time. It is a recipe for failure. These two documentaries suffer the same issue a bit, but this one also has a huge advantage over all the others, it is evidence based for almost 100%. The people you see talking on the screen are the ones that went to the archives in Washington and pulled the records out. Not opinionated lone nutters or conspiracy theorists who never hunted for the evidence ever before. Actually labelling these people in the documentaries as conspiracy theorists is a massive insult especially when it is only archival evidence that is presented. Some reviews of these two films seem to have missed that particular meeting or just have a grudge against Stone from the word go. These type of clowns were there 30 odd years ago and obviously they are present now.

For the record I watched the 2 hour version on Showtime in Nov. 2021 and Feb 2022. And the four hour version on SKY in Dec 2021 and Feb 2022. It appears that the rest of the world gets its chance early March. I will try not to spoil too much, if you cannot handle a spoiler here and there then I suggest you quit now.

The 2 hour version, by the looks of it, uses the same material as the four hour version, but it is edited in a different way and there are some bits that get more prominence in the two hour version than they have in the 4 hour one. I will start with the two hour version titled “JFK: Revisited Through The Looking Glass”. The documentary starts with the announcements of JFK, eventually being shot and next it goes to footage of Parkland hospital where the DPD is busy cordoning the entrance off. The first thing you notice is that some of the HD film scans look very lush. At the same time some of the grainier material looks even grainier. Digitising film either makes it look great or just the opposite, there is no middle ground here. But when it does look great it really does.

DPD and USSS in front of the limo at Parkland hospital. Malcolm Kilduff in the centre of the pic. Click to enlarge.

There is also a shot of reporters leaving the press bus and make their way towards the area above. In this shot we can see at least four Dallas P.D. detectives, wearing their distinctive hats, conferring in front of this bus in the background.

Dallas PD detectives in front of press bus at Parkland hospital while the reporters rush towards the entrance. Click to enlarge

Following is a sequence of footage of Oswald in the third floor corridor inside City Hall, getting shot by Ruby and also the Warren Commission. This sequence differs with the four hour version. The issue I have with it is that there is no proper chronology factor in the footage present and everything is just mixed up and even the audio is just randomly mixed in. It is for dramatic effect, and not much else. Trying to put it in the right order is very difficult, I know as I have tried and managed to put some segments at the right time in my Anatomy of Lee Harvey Oswald’s Interrogations paper (new updated version out in April 2022), but there are also some bits where I have no exact timestamp since some of the footage is silent.

Then the bullets and especially the magic bullet are discussed. The interactive sequence showing the NARA pictures of the Magic bullet (CE 399) and also the chain of evidence is very convincingly presented. The rifle is next with Brian Edwards adding his commentary. I am just over 30 minutes in and the evidence presented up till then is already the death of the Warren Commission’s conclusion and moreover crucifies the sloppy and contradictory work of the DPD, USSS and the FBI.

Barry Ernest and his work on Victoria Adams is next and I will get back about this later as it has more in the longer documentary. The autopsy and its photographs and the people who are involved with them are next. Especially the photographic aspect of it all is lapped up by me, I simply love it.

Parkland hospital and nurses – JFK headshot. Click to enlarge.

New Orleans is next, we get to see William Gaudet of which Malcolm Blunt gathered a fair bit of documents here and here and the other usual aspects such as David Ferrie, Guy banister and Clay Shaw are featured. The James P Doyle film of Oswald handing out pamphlets of the FPCC is of good quality. Then we move to various subjects such as Oswald/CIA/Defection to Russia/Chicago Plot/Africa that are discussed in more detail in the four hour version further below. Overall the two hour version has some really good bits, there is more emphasis on specific elements like the magic bullet in this film. And if you like(d) the two hour version then you will be in hog heaven with the four hour one: JFK: Destiny Betrayed.

The intro music and footage of this one is superb, it is the same music brought to everyone back in the early 90s with Stone’s film, that tension element of it hasn’t aged one single bit. The film starts with the antics of the Warren Commission.

Members of the Warren Commission on their Dallas visit in 1964. Click to enlarge.

There is a bit of Cuba and the CIA/Anti-Castro matters entwined that were being played out in the late 50’s and early 60s. Then it is back to more WC. And then the documentary goes further afield by bringing the mess that the Belgians had left behind in Congo and the CIA is heavily involved with removing and killing Patrice Lumumba and all this is dropped in JFK’s lap and he works hard on getting things sorted. This episode by itself is very interesting to read about. There is also a very good documentary about this era called Murder in the Bush: Cold Case Hammarskjöld. I suggest you try and find it.

Just when you have settled in with a subject matter things change into a different direction. I understand there is only that much time for putting a case forward, but why present it this fragmented? And some of these subjects do return in following chapters. I am reasonably well read on the entire subject matter, but the majority of viewers are not and may be getting confused by this scattered approach. While the Africa segment is good, it deserves some more time. It then switches to the committees such as Church, Schweiker and the HSCA. There are still many documents from these three commissions redacted, classified or simply gone without a trace. My time with Malcolm Blunt’s huge personal archive has given me some good insights about what was going on, but even with what I was able to digitise it still is largely incomplete. Richard Schweiker’s remark on Jack Ruby and the Warren Commission is simply priceless. I will not spoil it any further.

Next is Robert Groden, a person I am not too comfortable with due to his truth economics. I have seen and read a couple myself and I have issues with that. I also find his Zapruder film copy not that good now shown in 2K, that is if it actually has been scanned recently and is not the same copy of what was used in Stone’s movie 30 years ago. I am looking forward seeing this all in 4K. For someone who does not own one iota of copyright on all these films and photos he has submitted for usage he sure has turned it into a lucrative business over the last 40 years. He is credited as a photographic consultant. It seems that the Sixth Floor Museum would not assist Stone with their cache of film and photo materials and this does get brought up somewhat, i/e with the Zapruder film. The Sixth Floor Museum should have cooperated with the Stone crew since they have a goldmine of great quality material. This likewise deserves a frown….it tends to point as to what side they are still on.  I reckon Groden, who was part responsible for the HSCA creation and Stone whose film got the ARRB erected have something in common and in part can credit themselves for what they did in retrospect.

Robert Groden, Dealey Plaza. Click to enlarge.

Next thing the first episode of the documentary brings up is Oswald’s alibi and I can only conclude that the makers make a whopper of a mistake by solely relying on the research of Barry Ernest and that is just not good enough. Perhaps ten years ago it may have carried some weight, but not any more. Plus if you can go all guns blazing on the autopsy related matters and bring a set of researchers forward then why not on Oswald’s last 46 hours. In the last ten years there has been a wagon load of new evidence brought up. This website digs a lot deeper than what Ernest wrote and a huge opportunity to set the record straight was missed. I am not sure whether this is because certain politics are being played in the background and only put forward a theory which many older conspiracy theorists have subscribed and cemented themselves to. This is something an uber liar like Will Fritz and fellow law enforcement personnel have put forward and has been a ‘belief’ of these conspiracy theorists ever since. There is a ton of evidence which disputes this lunchroom encounter ever happening. Furthermore there is nothing put forward with regards Oswald’s interrogations and the reports thereof and where and what he was doing during these crucial moments of the JFK Assassination. The job done on this segment of the documentary is a letdown, to say the least. I wish to make clear that I am not putting myself forward as someone that should have been part of this documentary. I will be doing my own thing later this year. The case I have to present will be multi faceted and would not stand a chance, due to time constraints, on a platform as this docu.

Episode two and it’s autopsy time, quite a few heavy hitters are there and it is fact after fact that gets presented to the viewer and I have to say that it is great to see them doing this, for the 2 hour version this was my fave section. The medical & autopsy sections, could fill more than a solid hour by itself. Again the facts obliterate the official version. What does deserve a separate mention is Malcolm Perry who stated during a press conference, of which all audio has been suppressed/confiscated/stolen fill in by yourself, but a transcript 1327 C still exists, and I suggest to check out page 5. The throat wound is an entrance wound and ‘people’ called Dr Perry that same evening and wanted him to change that. That amounts to two frontal shots…….

Then it is back to foreign policy; Vietnam, Algeria, Iran, Guatemala, Indonesia and so on. Followed by more Warren Commission and the shooting sequence, the rifle and the bullets.

Carl Day and the Carcano.

Then Oswald gets his chance to appear and there is a fair bit of hallway footage of which most is already available on YouTube, this is just better quality, but there is too much cutting for my liking. Nor is there any chronology in this segment. Pivotal bits are left out. BUT! The biggest faux pas is the horn honking in the basement sequence just before Ruby kills Oswald and is presented as some sort of ‘go’ signal for the killing to be happening. Nothing could be further removed from the truth. If you watch the entire sequence of film taken way before the shooting you would understand that several times horns are honking as the armored truck which was supposed to be taking Oswald to prison was replaced for Fritz’s car. In the video you can see a car coming in and going out and the horn is being used to alert the gathered cops and press of their movements. The first double honk is at 11:10, the next one at 11:44, then 11:48, at 12:25 a car is coming through and the press needs to break up at roughly the spot where Ruby was positioned before he leaped out, 12:51 another honk, at 13:21 Will Fritz becomes visible and the horn honks again and finally at 13:25 just while Ruby is leaping out the final honk. Nothing funny nor conspiratorial about it. The car is actually coming down the ramp while Oswald is being shot. As you can see Ruby’s jacket is being lit up by the front head light and the car rolled down the ramp while Ruby had jumped in. The car slightly touches Ruby and makes him lose his balance a tad, and is enough for the cops to jump on him and wrestle the gun away from him. This is a blemish on otherwise a very strong documentary. And that is because it did not check the evidence properly.

Jack Ruby shoots Lee Harvey Oswald. Will Fritz has a so called ‘HUH’ moment. Click to enlarge.

That this whole transfer was as amateurish as a local village cabaret show is beyond any reasonable doubt. Will Fritz walked way too far ahead of Oswald and his escort and created a gap for Ruby to jump in to kill him.  Fritz’s response to this ‘thing’ was even more laughable and can be seen in the shot above when Ruby has shot Oswald already.

George G Burkley. Click to enlarge.

Episode three starts of with Rear Admiral George G Burkley and more of the autopsy, and he does not care to be quoted on how many bullets entered Kennedy’s body. Well if that isn’t telling then what is. Then over the next 30 or so minutes more facts are coming forward related to the autopsy itself, the photos, the brain and so on, all this has a significant meaning. I will not spoil it any further, see it for yourself while you are machine gunned with documentation and statements. Then it goes into the bullets and the limo. And then it changes direction with Washington politics and the rest of the world. Latin America, Middle East, Cuba and Vietnam are for obvious reasons part of it. All of it is very interesting. John Newman, Doug Horne, James K Galbraith are the select few to add their knowledge to it. Lastly we get to the Air Force One tapes and General Curtis LeMay and the Bethesda autopsy where he was present and smoking a cigar.

The fourth and final episode begins with the intelligence angle(s) related to this case. Oswald being at the centre of it all while in Russia and the intelligence games surrounding it. Tennent ” Pete” Bagley is part of this segment, Bagley is someone Malcolm Blunt has been researching deeply and has been in contact with several times while he visited him in Brussels.

Malcolm Blunt & Oliver Stone. Click to enlarge.

Then it moves to whether the CIA was fully briefed and had records on Oswald and as Jefferson Morley points out that they had him on their radar once he defected to Russia in 1959. Up to a week before the assassination reports were being sent, a find by the ARRB. This is followed by the New Orleans chapter and of course the usual suspects pass by Guy Banister, David Ferrie, Clay Shaw, George Joannides and of course the DRE . The New Orleans chapter by itself would need at least an hour to do it some justice as the material that is around is vast (I should know as I scanned loads of it in).

Then the destruction of the Secret Service records is next, they did this after the ARRB had requested them. They were held in complete disregard and the USSS went along with the destruction anyway. This is then followed by the FBI’s cancellation (by Marvin Gheesling) of the Oswald FLASH only a few weeks before the assassination of JFK. It would mean that Lee Harvey Oswald was not on the security index and the Secret Service would not deem him to be a person of interest. If he had been then they would make sure he would not be in close vicinity of The President’s motorcade. The Chicago and Tampa plots are brought up as well, and it is especially the Chicago one that has some very disturbing facts to present. Jim Gochenaur talked to Elmer Moore and I suggest you check out some of these YouTube interviews after watching his part in this documentary. It is a pity Abraham Bolden is missing from this documentary.

Next are the Civil Rights issues that were a huge thing in the south of the US at that time. The funny thing is that this is very much overlooked when it comes to discussing the JFK Assassination. I myself find elements protruding into the investigation of the TSBD and the DPD in general. People rather avoid talking about it, yet it was quite a big part of Southern society at that time when the after effects of the horrific Jim Crow laws were still in play.

Finally it is back to foreign policy, better yet the change thereof after the assassination of JFK. John Newman shines a strong light on NSAM 273 of which some of the lingo is being deleted and re-written which is ordered by LBJ. Then the final moments are of MLK and RFK, as they were assassinated too. All three in a 5 year timespan.

Overall and taken both works into consideration my end verdict is 8.5/10. Of course there are bits that could have been done better, but take all of it into account and you are looking at a very solid documentary. It baffles me how some people review this documentary and try to nitpick through the wealth of evidence presented and then try to sow doubt or just hammer on about a small dispute without providing one iota of evidence against it. These losers deserve nothing but scorn for their agenda driven rubbish.

I say go watch them both, maybe not all in one go, but there is nothing else of this calibre around. I am upping the ante a tad more by stating that most other JFK assassination documentaries look like dog shit in comparison to the Stone & DiEugenio attempt.

It’s on SKY in the UK.

The links to some of the documents are from Malcolm Blunt’s archive. With thanks.

Jack Ruby shoots Lee Harvey Oswald

Jack Ruby shoots Lee Harvey Oswald.

I came across some film footage which shows Oswald being shot by Jack Ruby. It was of half decent quality and once taken a set of stills of these films I came across two elements I had not seen before. Most people know that Jack Ruby did shoot Lee Harvey Oswald and some excellent photographs were made of that particular moment, but the chaos that ensued did prevent people from seeing the gun, although I had seen one close-up of L.C. Graves holding the gun down, but that was it.

Click on the photograph to see a slightly larger version.

The facial expressions of Jim Leavelle’s horror speaks volumes.

Jim Leavelle reacts just after Jack Ruby shot Lee Harvey Oswald.

Jim Leavelle and others struggle take control of Ruby and the gun he holds in his hand.

In this set we can see Lee Oswald on the ground and Jim Leavelle standing pretty much above him while the others are scrummaging with Jack Ruby  and L.C. Graves trying to pry the gun from Ruby’s hand. To view slightly larger samples, please click on the photograph(s).

Oswald down on the floor in front of Leavele who tries to provide some sort of cover.

 

Leavelle and Oswald on the left in the middle of the scrum of coppers you can see L.C. Graves’ hand holding Ruby’s gun.

 

L.C. Graves holds the gun and has managed to step away from the scrum of policemen who are trying to detain Ruby.

Afterwards Oswald is stretchered into the back of the ambulance.

 

Summer 2021 Update

Summer 2021 Update

 

Ok so this year I did a lot of scanning of Malcolm Blunt’s materials for a soon to be fully accessible archive in Nov 2021. There is a lot of material to plough through if you are a student of certain facets of the JFK Assassination. Law Enforcement Agencies, Committees and various individuals all connected in this case are all well represented in this archive. If you have read a decent amount of books on this matter then this archive can help you gain more additional knowledge.

The work done and still ahead…. Click pic to enlarge. Photo: Bartolomy

By the time of its primary release I think I have about 150.000 pages over about 17,000 PDFs ready to be shared. The work will continue for at least another year with regular updates.

I am going to slow down on scanning for the next few months so I can tidy some bits up in the archives and also put the focus back on my own work and this website. I will put the finishing touches to my forthcoming releases of the four(!) Anatomy papers for starters. They have been dormant for most of this year and some of 2020 as well. I hope to have all this done before the anniversary or it will be a X-Mas release read instead.

In November there will be an article written and photographed by me and published in Garrison Magazine, the article will have exclusive pictures I have made of Malcolm and his archive these past three years.

Malcolm Blunt – Tetbury Apr 2019. Click pic to enlarge. Photo: Bartolomy

I am also creating a set of videos in which Malcolm and I are having a chat about his materials. So far two have been posted and I hope to do a few more over the next few months.

 

Then there are also some talks scheduled such as JFK Lancer, DPUK and Project JFK in November where I will speak in great depth about the above mentioned project and its vast content.

I have some more articles in the pipeline, such as the Minox  camera and Oswald’s fingerprints and once I get my papers finished then I shall be developing those articles as well.

And last but not least the movies, which I hope to make a begin with early next year.

Plenty to get on with.

Best regards.

Bart.

The Malcolm Blunt Archives Update

The Malcolm Blunt Archives Update. 

Greetings and happy new year.  Hope you have had, under these difficult circumstances, a somewhat decent X-Mas break. I know I have not posted that much and the reason for that is that the Malcolm Blunt Archives have kept me occupied for quite some time now. And especially the second half of 2020 has been a very busy period scanning tens of thousands of pages in. I have been working on this project for more than two years now.

Harry Livingstone’s Files April 2019. Click pic to enlarge.

Starting with Harry Livingstone’s material which then slowly transcended into scanning Malcolm’s files, little did I know how much there was, yet at the same time has proven to be an absolute goldmine filled with rare and never before published documents, audio & video recordings.

Documents, tapes and videos. Click pic to enlarge.

Early Dec 2020, while there was a gap in Covid 19 travel restrictions, Peter Antill and I made our way to Malcolm to see what we could get our hands on to take back with us. Peter and I offloaded the 14 bags we had brought with us, yet I managed to bring ten bags back with me and that was only with 90 minutes left to do so. Two bags fill a drawer of a filing cabinet and contain anything between 2-3,000 pages. If you are wondering what type of content there is, well…..almost anything.

This is by far one of the best document collections when it comes to the JFK Assassination, but also for Dallas matters, anti-Castro, CIA, New Orleans, the ARRB, HSCA and a handful of other commissions investigating. At this point I have created roughly 10,000 PDFs. Scanning will continue for most part of this year trying to complete the digitisation of Malcolm Blunt’s entire archive.

For the first time in 18 months I managed to get access to the files I had worked on in the first half of 2019 while in Tetbury. These files have been kept at a storage site and I was very happy being able to regain access to them. The files in here are much more within my remit.

Click to enlarge.

The coloured boxes are of course Harry Livingstone’s files. Malcolm’s materials in here refer a lot to Dallas Police and FBI. Due to some finds of great documents I am preparing a handful of articles which I will start working on more this month when I am taking a break from scanning.

Click to enlarge.

While the Covid 19 restrictions are in place I will not be able to regain access until some time in March this year. But I have plenty to get on with for now and I reckon I will be working on this archive for the rest of the year. Expect a few cool articles to come in the next six months. And of course The Papers I have been working on these past few years and which are being crammed full with not before seen material, so plenty to look out for.

Ochus Campbell and Betty Dragoo in Altgens 6

Ochus Campbell and Betty Dragoo in Altgens 6.

 

With help from the Dave Wiegman film we can see Ochus Campbell standing next to Roy Truly. We know this due to their statements that they stood together when the motorcade passed by and as seen in the stills below.

Another good anchor point for the comparison between the Wiegman stills and Altgens 6 (at the bottom of this post) are the police officer and the two children on the right in the photograph below..

Danny Garcia, Betty Dragoo and Ochus Campbell in the Wiegman film. Click photo to enlarge.

Garcia is difficult to spot, but once looking at the Wiegman still and the Altgens 6 photo it becomes more clear.

 

Dany Garcia and Betty Dragoo in the Wiegman film. Click to enlarge.

 

Altgens 6. Click photo to enlarge.

In Altgens 6 Danny Garcia was already found in that photograph decades ago and a close-up was stored in the Weisberg Archive.

Danny Garcia in a close-up of Altgens 6. Click photo to enlarge.

And finally look in the detailed crop of Altgens 6 and what appears to look like a gas mask being held up in the open door window of the Secret Service follow up car is actually an arm right holding the top bit of the door right in front of Ochus Campbell’s face. What people assumed that looked like the tail end of the car is actually his shirt and his tie. The dark edging is his cardigan/jacket.

We also see Betty Dragoo’s face very clear through that same car’s window. Linda Giovanna Zambanini recognised her in the close-up Wiegman shot a few years ago, but her face is so much more in detail in the Altgens 6 photo..

Danny Garcia, Betty Dragoo and Ochus Campbell in Altgens 6.  Enhancements by B.K. Click photo to enlarge.

There were ten women on the fourth floor when it went down

There were ten women on the fourth floor when it went down.

 

From my up and coming paper Anatomy of the T.S.B.D.

 

Updated with a new title, a little text and some pictures on Jan 5th 2020.

Updated with the addition of a gallery of 4th floor drawings on March 12th 2022.

I knew that Victoria Adams’ descent down the back stairs of the T.S.B.D. was one key to the assassination puzzle especially when Oswald was supposedly to go down those same steps “escaping” from the building at about the same time. The ladies had watched among other fourth floor employees the motorcade turn the corner in front of the building on to Elm St. Then they heard the shots fired at the limousine. Adams and Styles almost immediately left the window to go down the back stairs, make their way towards the railroad yard, and upon arrival they were told to go back where they came from, which they did thru the front doors of the T.S.B.D.

The first one who drew my attention to this was Oliver Stone, who brought this segment up during the Garrison trial in the movie JFK.

Actors representing Victoria Adams’ and Sandra Styles’ descent in a re-enactment for the film J.F.K. Click to enlarge.

If there is anyone who researched Victoria Adams’ and Sandra Styles’ descent from the fourth floor to the railroad yard and back into the front of the T.S.B.D. better than anyone else  it is Barry Earnest.

His book The Girl On The Stairs: The Search for a Missing Witness to the JFK Assassination led me to focus more on the T.S.B.D. and its employees.

From his research we know that.

  1. Victoria Adams did go through her W.C. statement and applied corrections even though the document ends with her stating she waivers her signature. The ‘corrected’ statement is being held much longer under lock and key than the first version without any corrections.
  2. She accused the W.C. of inserting the Lovelady & Shelley encounter in her testimony. She described the person she encountered after arriving on the first floor as a tall black man. This was independently corroborated by Sandra Styles who knew Shelley and Lovelady and was sure it wasn’t them who they met. The so called Adams & Styles – Lovelady & Shelley encounter on the first floor is a fugezi to undermine the timing of the ladies’ descent. It shows Jim “I don’t recall” Leavelle of the D.P.D. the maker of this report as a fabricator, who placed the misleading statement inside that report from Feb 1964. Obviously Leavelle is responsible but the decision to do this comes from higher up obviously.
  3. The Martha J. Stroud document Ernest found at the archives in Washington in 1999 confirms Adams’ corrections to her statement, and also states that Dorothy Garner saw the girls leave before the police officer came up to the fourth floor. Garner’s  real statement or anything besides the Stroud letter leading to it has disappeared.
  4. The W.C. discredited Adams’ story. by disbelieving her, nor did it really investigate further. But the W.C. did more to discredit Victoria Adams and it did that by minimising any attention towards the fourth floor.

While reading up about the other T.S.B.D. employees present on the fourth and fifth floors something else becomes apparent. The fourth floor was filled with ladies looking out through the south side windows.

Victoria Adams. Source: Barry Ernest.

Sandra Styles-Baylor Uni, Waco-1962

Elsie Dorman. Source: Life Magazine.

Thanks to Linda Giovanna Zambanini.

Judyth Louise McCully.

Avery Davis. Source E-Yearbook.com.

Mary Hollies. Source: E-Yearbook.com. Thanks to Linda Giovanna Zambanini.

Ruth Nelson. Source Ancestry Family Tree. Thanks to Linda Giovanna Zambanini.

Yola Hopson 1945. Source E-Yearbook.com. Thanks to Linda Giovanna Zambanini.

Betty Alice Foster. Source E-Yearbook.com. Thanks to Linda Giovanna Zambanini.

Think about it. Ten people on the fourth floor when it all went down. Some of them could have easily confirmed when Adams and Styles left. But that is something the Warren Commission, D.P.D., F.B.I. and the Secret Service, by the looks of it, did not bother much.

Weaver Polaroid. Click to enlarge.

Even though Avery Davis claimed to be on the front steps, she is not recognised in either the Wiegman and Darnell films nor did any other person name her. Davis named Judyth McCully as the person she was on the steps with. McCully’s initial F.B.I. statement states that she was on the fourth floor while it all went down which then got changed to the front steps. Judyth McCully’s daughter told me that this was done at the behest of the F.B.I.

So if I do not know any better then efforts were made to look the fourth floor as a non event as much as possible with moving some witnesses away so original witness statements could not be corroborated.

Some more food for thought are the diagrams of the fourth floor. There were just three large rooms so people were close on each other.

Think about it, there were 10 people on the fourth floor. Some of them stood a few meters away from each other. Adams’ and Styles descent was the kryptonite to the  Oswald ‘escape’.

Then there are the men from the 5th floor and especially Jarman, Norman and Williams. I have made a spreadsheet with all three workers’ answers from every statement they have given and that are available. Download it from HERE.

From left to right: James Earl Jarman, Bonnie Ray Williams and Harold Norman in the Tom Dillard photo. Click to enlarge.

The fourth floor stop is in some statements not to be found, but in the W.C. testimony from Bonnie Ray Williams he states: They paused for one minute on the 4th floor as there were all these women looking out. Then there is James Jarman who during his W.C. testimony disowns the fourth floor stop even after asked about it by John J McCloy by saying I believe we went all the way.

The fourth floor was a direct threat to Oswald’s so called escape, so they thought. Until of course the Prayer Man surfaced and it has transpired Oswald was nowhere near the 6th floor when the shots were fired…

 

Roger Craig inside Robbery & Homicide on Nov 22

Roger Craig inside Robbery & Homicide on Nov 22.

 

Roger Craig 1969

Roger Craig of the Dallas sheriff department is one of the guys who did not cooperate with everyone else in law enforcement about the happenings of investigating the J.F.K. assassination and ended up becoming an outcast who ultimately paid the highest price for it.

My personal research into Roger Craig has been limited to the assassination weekend, especially his observation of seeing Oswald leaving the T.S.B.D. and after that his visit to room 317 of Robbery & Homicide and pointing Oswald out as the person he saw running down the grass and getting into a Nash Rambler.  Room 317 was Will Fritz’s fiefdom.  I have been writing about this before in my Anatomy Of Lee Harvey Oswald’s Interrogations paper (pages 96-102).

During the 56th anniversary of the assassination there were two conferences in Dallas happening, one was CAPA, the other was Judyth Vary Baker’s shindig.

Judyth Vary Baker Conference 2019 program cover. Spellcheck anyone? Photo: Vince Palamara.

I was watching some of the live feed on YouTube, to me about the only positive thing of that conference and I thought the panel talk of Steve Cameron, who had a new book on Craig to push, could be interesting.

Besides Steve Cameron there was Roger Craig Jr., Gary Shaw and Robert Groden (no idea why someone who is economical with the truth is still given access to a platform like this ).

Roger Craig panel talk. From l to r: Gary Shaw, Robert Groden, Steve Cameron and Roger Craig Jr. Photo: Vince Palamara.

Roger Craig Jr. kicked things off claiming his dad was murdered in a rather emotional manner and I wasn’t too sure that this was a wise way of opening the panel talk like that, but it is what it is. Then he claimed that his dad was inside room 317 and that the photograph from Jesse Curry’s book was the proof.

Now I am not disputing his presence at Dallas P.D., but the photograph is not proof of Roger Craig’s visit. Here is the photograph in question.

The issue is that there is a tiny likeness, however after seeing other photos of this very same individual inside Room 317 of Robbery & Homicide of the Dallas Police Department below it is definitely not Roger Craig.

In the centre in front of the set of drawers. Pic. Jim Murray. ROKC scan from the Sprague archives at NARA. Click image to enlarge.

 

Speaking to Det. Richard Sims in front of the file cabinets. In front and on the right are detective Johnny Hicks on the phone and sergeant William ‘Pete’ Barnes with Oswald’s palm print on display and . ROKC scan from the Sprague archives at NARA. Click image to enlarge.

 

Pic.: Ft Worth Star Telegram. Click image to enlarge.

There is a small chance that the person noticed in these photos is Secret Service agent Charles Kunkel. But Vince Palamara said that cannot be since Kunkel was not in Dallas on Nov 22nd and these photos by Jim Murray and the Fort Worth Star Telegram were taken around 6 PM that day. At this point I would say nothing further than this man is a government agent, but it is not Roger Craig.

There is however other great evidence showing that Craig arrived inside Room 317. Like this James Bookhout report from Nov. 23rd.

James Bookhout report Nov 23 1963 on Roger Craig’s presence at Robbery & Homicide. Thanks to Malcolm Blunt. Click picture to view larger version.

Furthermore there is Jesse Curry talking to the press in the corridor of the 3rd floor of City Hall. where the D.P.D. resided. He does not quote Craig by name, but he does relay Craig’s story.

 

Craig was there, but it is not the man seen in the photograph from Jesse Curry’s book. Just wanted to set that record straight once and for all.