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Photography & Film

Roger Craig inside Robbery & Homicide on Nov 22

Roger Craig inside Robbery & Homicide on Nov 22.

 

Roger Craig 1969

Roger Craig of the Dallas sheriff department is one of the guys who did not cooperate with everyone else in law enforcement about the happenings of investigating the J.F.K. assassination and ended up becoming an outcast who ultimately paid the highest price for it.

My personal research into Roger Craig has been limited to the assassination weekend, especially his observation of seeing Oswald leaving the T.S.B.D. and after that his visit to room 317 of Robbery & Homicide and pointing Oswald out as the person he saw running down the grass and getting into a Nash Rambler.  Room 317 was Will Fritz’s fiefdom.  I have been writing about this before in my Anatomy Of Lee Harvey Oswald’s Interrogations paper (pages 96-102).

During the 56th anniversary of the assassination there were two conferences in Dallas happening, one was CAPA, the other was Judyth Vary Baker’s shindig.

Judyth Vary Baker Conference 2019 program cover. Spellcheck anyone? Photo: Vince Palamara.

I was watching some of the live feed on YouTube, to me about the only positive thing of that conference and I thought the panel talk of Steve Cameron, who had a new book on Craig to push, could be interesting.

Besides Steve Cameron there was Roger Craig Jr., Gary Shaw and Robert Groden (no idea why someone who is economical with the truth is still given access to a platform like this ).

Roger Craig panel talk. From l to r: Gary Shaw, Robert Groden, Steve Cameron and Roger Craig Jr. Photo: Vince Palamara.

Roger Craig Jr. kicked things off claiming his dad was murdered in a rather emotional manner and I wasn’t too sure that this was a wise way of opening the panel talk like that, but it is what it is. Then he claimed that his dad was inside room 317 and that the photograph from Jesse Curry’s book was the proof.

Now I am not disputing his presence at Dallas P.D., but the photograph is not proof of Roger Craig’s visit. Here is the photograph in question.

The issue is that there is a tiny likeness, however after seeing other photos of this very same individual inside Room 317 of Robbery & Homicide of the Dallas Police Department below it is definitely not Roger Craig.

In the centre in front of the set of drawers. Pic. Jim Murray. ROKC scan from the Sprague archives at NARA. Click image to enlarge.

 

Speaking to Det. Richard Sims in front of the file cabinets. In front and on the right are detective Johnny Hicks on the phone and sergeant William ‘Pete’ Barnes with Oswald’s palm print on display and . ROKC scan from the Sprague archives at NARA. Click image to enlarge.

 

Pic.: Ft Worth Star Telegram. Click image to enlarge.

There is a small chance that the person noticed in these photos is Secret Service agent Charles Kunkel. But Vince Palamara said that cannot be since Kunkel was not in Dallas on Nov 22nd and these photos by Jim Murray and the Fort Worth Star Telegram were taken around 6 PM that day. At this point I would say nothing further than this man is a government agent, but it is not Roger Craig.

There is however other great evidence showing that Craig arrived inside Room 317. Like this James Bookhout report from Nov. 23rd.

James Bookhout report Nov 23 1963 on Roger Craig’s presence at Robbery & Homicide. Thanks to Malcolm Blunt. Click picture to view larger version.

Furthermore there is Jesse Curry talking to the press in the corridor of the 3rd floor of City Hall. where the D.P.D. resided. He does not quote Craig by name, but he does relay Craig’s story.

 

Craig was there, but it is not the man seen in the photograph from Jesse Curry’s book. Just wanted to set that record straight once and for all.

Howard Roffman to Richard Bernabei 1970

Howard Roffman to Richard Bernabei 1970

 

Howard Roffman wrote extensively with Harold Weisberg, but also with Richard Bernabei. I have managed to gotten hold of quite a bit of material myself after contacting his archive in Kingston and I also know that Denis Morissette went there and he sent me quite a few pages as well. I still have to go through all this. While browsing through the folder I came across this letter from 1970 that I gotten hold off in 2016.

It basically discusses the Couch film and Marrion Baker. Roffman did extensive research in the relation between the Couch film and Marrion Baker’s run almost 50 years ago. He also brings Gloria Calvery, Joe Molina and other T.S.B.D. employees’ statements in the fold and uses his common sense as most of his observations still stand today. Cool read.

Pauline Sanders and Sarah Stanton on the steps of the T.S.B.D.

Pauline Sanders and Sarah Stanton on the steps of the T.S.B.D.

 

There are a couple of things that I recently came across and am pretty sure the riddle of Sanders and Stanton step positions is solved. But first the statements by Pauline Sanders.

F.B.I. statement by Pauline Sanders, Nov 24th 1963. Click to enlarge.

Is it not odd that she states in her Nov 24th statement that she did not see Oswald in the lobby that remarkis as significant as Sean Murphy’s find of Roy Truly saying  in his Nov 22nd F.B.I. statement “They saw no one there” once allegedly arriving with Baker in the vestibule/lobby, when at the same time we can see in Darnell several people preceding them going up those stairs. The only reason for putting this in their statements is trying to refute Prayer Man’s or better yet Oswald’s presence,  near the front door. Take Carolyn Arnold’s first F.B.I. statement, the one that got deep sixed, into consideration as well!

CE 1381. F.B.I. statement by Pauline Sanders March 18th 1964. Click to enlarge.

According to Sanders’ statements on Nov 24th 1963 and March 18th 1964 she said that she stood nearest the door and on the top step, but that is only partially true.

The top landing would have been way to cramped with Shelley and Molina occupying that eastern side already. Plus we know Frazier and Lewis stood inside the doorway. And I doubt she would stand behind Shelley and Molina, same goes for Sarah Stanton.  The width of the eastern or the western side of the steps would allow for two people to stand next to each other and not more. There was no reason to cram next to each other as there was plenty of room to spread out. Here is a picture from the W.C. and two drawings taken by the F.B.I. shortly after the assassination for comparison.

Let’s move on to the Wiegman and Darnell films, we know who said that they stood on the steps. The following women were there: Maddie Reese, Ruth Dean, Pauline Sanders and Sarah Stanton. Dean and Reese have been identified.

We find Pauline Sanders in Wiegman she stands on the 3rd or 4th step. I posted this shot at the Education forum in August 2018.

Pauline Sanders in the Dave Wiegman film. Click to enlarge. Thanks to John Woods.

Careful study of the Wiegman frame shows that next to Sanders is someone with blond hair and a white (or any other light coloured) outfit, you can barely see her but she cuts into Sanders on her left side, so for us that is on the right side. She is partially hidden by the east end of the wall and due to the angle Wiegman is filming from, he is not filming the steps straight on.

Pauline Sanders and Sarah Stanton in the Dave Wiegman film (Kamp/Ledoux version). Click to enlarge.

Pauline Sanders also said in her statements she stood next to Sarah Stanton, she made no mention of anyone else. That gives us an even better idea who to look for in these pix.

In the time period between Wiegman and Darnell (10-15 seconds) Sarah Stanton moved slightly more inwards and Pauline Sanders has moved up to the landing. This is because of Lovelady and Shelley leaving the steps right after the final shot. Otis Williams went inside and Joe Molina moving more centre on the landing therefor creating a gap on the east end of the steps/landing. Sanders could have wanted to get a better view down Elm St. after the shooting and going up a few steps would have helped a bit.

Also consider Buell Frazier who only appears in Darnell and cannot be seen at all in Wiegman, and even Roy Lewis who is starting to appear behind Frazier, again no sign of him in Wiegman.

In Darnell, 10-15 seconds after the shooting she is seen on the landing. Andrej Stancak  found her, but that section of the film shows her only in or or two frames. She went more upstairs compared to the Wiegman sequence and that could be because she stepped up to get a better view down Elm.

 

Darnell frame of the TSBD steps occupants. Sarah Stanton a short heavy set blonde woman is pointed out as such. Click to enlarge.

 

The women on the steps in the Wiegman and Darnell films are now all accounted for. Sarah Stanton is exactly standing where she said she was and all this was confirmed by Frazier.

Buell Wesley Frazier also confirms in some videos that Sarah Stanton was standing to his left, as per her own statement on the East side of the steps along with Pauline Sanders.

At 18:25.

 

At 53:30 Gary Mack, in a 2002 interview with Buell Wesley Frazier for the Sixth Floor Museum, specifically asks him, to his right or left and he points and says left!

In another interview at 06:02, Frazier who uses both his hands indicates only with his left hand outwards.

 

At 53:00 in the Gary Mack interview of Buell Frazier he refers to a lady (most likely Stanton, standing to his left, meaning East on the top of the steps.

And then in a third interview at 18:25.

 

And now we have a slightly better copy of te Darnell film, which shows the only short, heavy set blonde woman to Frazier’s left and it is game over and the Death of Prayer Woman. Doyle will foam at his mouth and will try and lie his way out of this, but Prayer Woman is dead….

Sarah Stanton about 4 ft away from Buell Frazier. Click to enlarge.

Updated Dec 16 2021.

More: Sarah Stanton.

 

Jimmy Darnell Footage

Jimmy Darnell Footage

 

Updated:

Sept. 13 2019.

March 13 2021.

Denis Morissette pointed out on FB these two videos of Jimmy Darnell being interviewed and filmed while in the basement of KXAS. The videos have been recently released via the UNT site and are from the WBAP later to become KXAS and these days known as NBC5.

In the first clip you can see Darnell looking at a strip of 16MM film on a reel, this strip is of the front of the T.S.B.D. segment. Now this may not even be his film, but Dave Wiegman’s instead. I am simply amazed that he is looking at this film, which supposedly disappeared into NBC’s archives in N.Y. Yet here we are looking at an original or a very good copy of it.

This is the film no one knows where it is, by the looks of it from this segment and the next the copy they have digitised for these videos looks of great quality. Question is at what resolution did they digitise the film? And where is it now?

Click to enlarge.

In the second clip (skip to 01:05) Darnell is doing narration of him running ‘this is where I bail’, but the Wiegman film is on the monitor and more importantly Dave Wiegman ran on the pavement on the right side of Elm St. whereas Jimmy Darnell ran on the grassy left side of Elm where he eventually filmed as the press buss passed in front of him.

Jimmy Darnell, on the far left, after he got out of Camera Car 3.

Jimmy Darnell in Wilma Bond 5 filming while the press bus passes in front of him. Click to enlarge.

There is also a third clip.

Take a good look at this video compilation of Darnell footage by Denis Morissette and you will see that he is on the left side of Elm.

Wiegman was in Cam Car 1, whereas Darnell was in Cam Car 3. His footage is roughly 10-15 seconds after Wiegman shot his segment of the front of the T.S.B.D.

Both these two segments are odd as NBC5 used the Wiegman film assuming it was Darnell’s. But more importantly NBC5 had a 16MM copy of the Wiegman film!

The same Wiegman segment is used in a remembrance  news feature after Jimmy Darnell’s passing.

 

Marina Oswald: “It’s Lee”

Marina Oswald: “It’s Lee”

 

By Ed Ledoux and Bart Kamp.

Some photos and text has been added and amended. Feb. 22nd 2019.

In June and July of 2018 the core ROKC members were discussing amongst themselves whether to get in contact with Marina Oswald and ask her what she thought of the whole Prayer Man situation. We agreed to put it forward to her, nothing ventured nothing gained right?

Stan Dane printed one of the better shots of the Wiegman and Darnell films alongside a picture of the book cover and sent these enlargements to her. No photo of Doorway man (a.k.a. Billy Lovelady) was sent to her at any time. Stan did not receive a reply so Ed Ledoux rang her and left a message on her answer machine not expecting to hear back from her. But less than 25 minutes later she rang back.  He asked her whether she had received the images and she said she had.

Prayer Man enlargements sent to Marina Oswald. Pic. Stan Dane.

Out Of The Shadows Into The Light Prayer Man book cover. Pic. Stan Dane.

What follows is Ed Ledoux’s story abut this particular phone call:

I wanted Marina Oswald to tell me about that figure seen in the Darnell and Wiegman films Stan Dane had sent to her, a figure who was standing in the dark shadowy top left corner, one whom was labelled Figure J. in drawings by Richard Bernabei.

Occupants front steps of the T.S.B.D. by Richard Bernabei. Click pic. to enlarge.

I felt the need to explain everything first, as she immediately asked what this was all about and began to tell all the details as best as I could relate quickly to her about Weigman and Darnell, the steps, our research and that of others.

Sketch of Prayer Man and Bill Shelley on the front steps of the T.S.B.D. by Richard Bernabei. Click pic. to enlarge.

Sketch of Prayer Man, Billy Lovelady, Otis Williams and Bill Shelley on the front steps of the T.S.B.D. by Richard Bernabei. Click pic. to enlarge.

When I was about to mention Richard Bernabei’s annotated sketches of Weigman from the late 60’s, which were not sent to her,  with the unknown figure marked J. she stopped me.

Marina interjected and said “That’s Lee” I was taken aback as she knew exactly what and who I had asked about. She volunteered her answer. I exclaimed “What?” to make sure I had heard her correctly. And she replied to me “It’s Lee.” and did so as quite a matter of fact.

There I was thinking, here is the one person besides Marguerite Oswald whom would know the likeness of Lee better than any armchair detective or internet warrior could. Here she was confirming the identity of her husband and in effect the work done by Sean Murphy until the 50th anniversary of the murder, and now carried on by the ROKC crew as a litmus test in the Kennedy assassination.

When I asked Marina about the images of Prayer Man to Lee she said, “Yes, seen it many times” like it was old news.
Well I was dazzled by her quick wit and retorts. She is no slouch when it comes to her late husband and the case.
She said “They have dropped the assumed part, and just say he is guilty” so I explained the FBI and Justice Dept. have both closed the case and retroactively declared Lee guilty.
I asked if she knew of a way to help and she understood the problem.
She wanted to know my age, she sharing hers first like a lady. I shared mine and she said “Good, you’re young enough to get something done.”
I told her about the book, “Prayer Man, Out Of The Shadows And Into The Light” by Stan Dane.
Marina asked when it was published. I said it has been out three and a half years.
When I told her what information it had about documenting Lee on the first floor and in the vestibule, she responded resolutely, “I don’t need to be convinced.”
Marina was kind and soft spoken, wanted me to help her children who suffer the most by having a father wrongfully called a murderer. No jury, no trial, no full investigation, yet the United States legal system allows this.
As Marina Oswald called me back in such a short time after I had left a message I did not record this call. But I did call her back again two weeks later, this was after I sent her Stan Dane’s book and asked her to give me her blessing to what she had said to me two weeks prior. In this conversation she stated that she had not read the Stan Dane book, as there were too many characters involved and that all they had to do is compare two faces; Lee and Billy Lovelady. The rest didn’t matter. Listen to the short recording below.

NBC Universal holds the original footage of Darnell and Wiegman from that day in 1963 when The President, John F. Kennedy, was murdered.
These original 16 mm films contain much better detail than the circulating ones. The copies that are around were transferred to 3/4 inch VHS tape nearly 60 years ago and are overall not very clear due to the generational gap and the artefacts it inherited due to the transfer.

Poor quality images allow the weak and timid to say it might be Lee or dispute it, and until better images they retort that they can’t agree it is Oswald, until its shown and proven to be Lee.
Thus the Prayer Man litmus test has enabled ROKC to sample those researchers genuinely looking to end all debate as to Lee’s innocence.
The naysayers dismiss with a wave of the hand the literal mountains of physical and documented evidence that puts Lee on the first floor during the assassination and outside during the shooting.
Naysayers accomplish this by saying the images taken from the films are to blurry.
Blurry yes, but good enough for them to identify Buell Frazier, and Billy Lovelady without second guesses.

I have spoken with Buell Frazier and I got the sense he recognises the figure but cannot allow himself to say what Marina effortlessly stated.  “It’s Lee.”

Buell has identified himself in the films.

Buell Frazier in Darnell.

He has said he thought the figure near him called Prayer Man is Bill Shelley, Buell may default to Bill but he also realises Bill left the steps with Billy Lovelady to walk down to the rail yard and knoll area. Buell cant reconcile the figure with the logistics of those present.
I want to show Buell a better image too.

Slowly these things help to settle this important matter. Just over a week ago Bart managed to show a note made by FBI agent James Hosty which clearly stated that “He went to 2nd floor to get coca cola to eat with lunch and returned to 1st floor to eat lunch. Then went outside to watch P. parade.”

This document and the Fritz interrogation notes show that Lee himself is giving his alibi to the police and knowing that Bill Shelley was there with him, only for police authorities to twist things and use it against him.

Lee said he stepped out to see what all the excitement was about as reported by Detective Ed Hicks.
Reporters were documenting this statement.

In his interview shortly before Lee was murdered by Jack Ruby, Postal Inspector Harry Holmes asked about Lee’s alibi.
Specifically that Lee was in the Vestibule or nearing the vestibule when the shooting took place. There is only one vestibule proper. It is between the two outer columns flanking the steps, up to the front door.
That is in part Oswald’s alibi, being out in the vestibule and knowing who else was on the steps.

I wanted to see the best images of those steps and who was in the vestibule and asked for and was granted a license for the Darnell film. Additionally I made an offer to transfer Darnell into 4k or 8k resolution, using the vendor of their choice to perform the scan and at my cost, but I was soon told that the powers that be had denied access to the film.

Rather than provide me the best quality image available NBC asked that I use a high quality format but media that was from a 3/4″  tape circa 1970’s era.
I declined to accept this paltry material.

I thank the folks who helped with the project, especially Bart Kamp, Greg Parker, and Stan Dane who have searched for the original films with me.

Thanks to the fine folks at ROKC I knew beyond a shadow that Lee was Prayer Man and I continued based on evidence that the films were in New York at the NBC ‘archives’ there.
The films are still awaiting a new Executive to allow access to study them.
Greg Parker has sent a public letter asking NBC Universal for the films to be accessed by researchers and students.

We are still waiting their reply.

Thanks to Marina I realised the truth has just begun.

Marina asked me about the films timing, she said it’s important. I explained that the limo is still seen exiting Dealey Plaza in the Dave Wiegman film, which syncs up with Wiegman and then Darnell, so its a matter of seconds.
Marina said that makes Lee innocent.

I agreed,…

I’ve spoke to Marina a few more times to update her on the Prayer Man project and various aspects of the case. I am going to tell her about the Sixth Floor Museums donation they received of a 2k copy of Darnell.
Alan Dale asked Stephen Fagin at the Lancer conference about the film and Fagin told that it can be viewed in the museum’s viewing room, but there is no zooming or slowing the playback there unfortunately.
I had mentioned to her that I would find better footage, as she was not positive NBC would ever allow access. So we are hopeful to have more to discuss in the future.

Then went outside to watch P. parade

As I have mentioned before on the Prayer Man FB page  I have been quite busy with putting a new website together for Dealey Plaza UK. Part of that website was trying to put some archives in there as well. It started with the Harold Rydberg materials, but shortly after I was asked to do the Harry Livingstone archives, or part of that as well. Malcolm Blunt asked me to do this to which I readily agreed. The work is still ongoing and means less online appearances unless there is something worthwhile to make mention of.

This research then also led to me digitising parts of Malcolm Blunt’s old Dallas collection. Malcolm does a lot of deep agency research and the Dallas  material is from the period before that when he stayed in Dallas and in Washington in the 90’s.

So here I will show you a note made by Jim Hosty no one else has seen before or even bothered to share or simply overlooked it . It comes from the National Archives and it was Malcolm who found it. Who else as hardly anyone spends any real time at the National Archives in Washington than Malcolm!

Written on the backside of a D.P.D. affidavit sheet of paper, Hosty outlines what Oswald’s movements were and what he said.

Hand written notes by Jim Hosty. Click to enlarge.

What do you think P. stand for? Presidential? Yeah I agree. Presidential parade.

What this document does is:

1/ kills off a so called second floor lunch room encounter.

2/ places Lee Oswald outside while the Presidential motorcade went past the building.

This document is hand in hand with Will Fritz’s handwritten notes that mentions “Out with Bill Shelley in front”

Will Fritz handwritten note of Oswald’s interrogation.. Click pic. to enlarge.

Both attendees to the first interrogation of Lee Oswald wrote down where he claimed he was, not on the 6th floor, not waiting in the lunch room.

But outside with Bill Shelley while the Presidential parade went past.

Lee Oswald is the Prayer Man!

Prayer Man a.k.a. Lee Harvey Oswald. Click pic. to enlarge.

Richard Gilbride refuses to learn

The most stubborn plonker in the village is at it again. Releasing a set of essays relating to the 2nd floor lunch room encounter. Obviously the wishful thinking and assumptions just pile up like there is no tomorrow. I already tore his previous work a new one, in short it was rubbish!

Let’s have a look at a few bits.

From the “Lunchroom” essay: Their paths should have intersected, but they didn’t. It is safe to conclude that Adams & Styles passed by Truly & Baker while they were in the lunchroom.

If Richard Gilbride had paid attention to the W.C. testimony of Roy Truly then he would have noticed that Roy Truly said that he leaned in, meaning his feet were still on the landing and that he peeked through, allegedly, while the door was held open! Furthermore has Gilbride ever paid attention to the size of the actual space between the landing and the lunch room door?

Second floor lunch room and corridor entry. Click to enlarge.

This is so small, no wonder Truly said he leaned in as it would have made no sense in a physical way for three people to stand there, even with Oswald being inside the lunch room for two or three feet, according to Baker.

Anything but with extraordinary confidence Richard!

2. On page 3 Richard Gilbride gives Adams 8 seconds to clear each floor going down (based on what?), whereas 5 would be more accurate, the amount of steps are not that many for anyone, whether in heels or not, to clear in 8 seconds unless they were doing it on one foot, they were rushing down those few stairs. That by itself proves to be already problematic for his timings overall.

On page 4 the first floor encounter is being described, the one that was attributed to Shelley and Lovelady and the girls, and which was false and made up by Jim Leavelle in Feb. 1964 when he interviewed Victoria Adams.

The man she and Styles encounter is in all likelihood Eddie Piper (“A tall black man”). Eddie Piper who stated during his W.C. in two sessions, as the first one did not nail things down enough to a satisfactory result for the W.C. Piper said during his W.C. testimony that in a few minutes someone came in the building, “and I looked up and it was the boss man and a policeman or someone.” That contradicts the timing element of Baker and Truly who said they stormed in within seconds after the shooting already, and consider that the re-enactments were timed at 75 and 90 seconds. 

Piper gets called in again for a second time during his W.C. testimony, when asked whether Truly was with a white helmeted officer Piper says “I don’t think so.” 

On page 5 Gilbride makes a catastrophic mistake by assuming Baker races up those stairs in the Couch and Darnell film. Not only does the Couch film swerve to the left and away far quicker to Elm St and not even capture the front stairs. The Darnell film in its final moment before swerving to the left shows Baker at best in front of the pavement which is at least 10 feet away from the bottom step of the TSBD steps. He assumes (which he does a little too often) that Baker is on course for the steps whereas nothing could be further removed from the truth. Marrion Baker is veering to the right and was on his way between the TSBD and the DalTex building as he was not certain where the shots had come from. His W.C. testimony shows clearly he was not certain at all where the shots came from.

Gilbride omits that Buell Wesley Frazier, Roy Edward Lewis and Joe Molina who stand on the landing of the steps and in front of the door, see no helmeted officer going past them. Molina sees only Truly go in, and even states in his report by B.L. Senkel that Truly stayed on the first floor!

In April 1964, while being interviewed by Roy Bode, Truly states that he and Baker talked to Howard Brennan before they went in. That by itself contradicts Truly and Baker’s tale of storming up the T.S.B.D. stairs as well.

On page 6 and 7 it turns into a shambles and Gilbride brings Dorothy Garner’s statement through the Stroud document in play in conjunction with the descent of Adams and Styles and the ascent of Baker and Truly. Since Gilbride is dead wrong with these 2 and 2 crossing each other on the second floor it can be stated with great certainty that his calculations are way off and simply not true again. 

“This heavy-duty door helped to muffle sounds from the landing and stairwell, so that people in the lunchroom could eat in relative peace and quiet. Truly, Baker and Oswald were in an intense, confrontational situation just inside the lunchroom door frame. Even if they heard some noise from those high heels, it was only high heels- irrelevant to the gestalt- and they quickly forgot about it. ” This phrase on the bottom of page 7, in its entirety is baseless speculation. 

On page 8 the assumptions continue, but I cannot be bothered to dive into every cherry in this terrible piece. And furthermore Sean Murpy has left this ‘scene’ so he cannot defend his actions, I only defend mine. Only to mention that he mentions SS inspector Kelley being present at 16:45 at Oswald’s second interrogation which he was not, he did not arrive until hours later in the evening.

Enough on this one.

Finally what is objectionable is the lack of mentioning one foot note or source in this essay. This is something he lambasted me for, missing the odd bit. Yet here we have ten pages without one referral.

Nice work……..eh no.

**************************************************************************************************************************

From Furthering The Lunchroom Evidence, his latest attempt….

On page 1 Gilbride makes the mistake that Thomas Kelley was present during the interrogations with Oswald while Baker was there. This is wrong as Kelley did not appear until Oswald’s 3rd at just before 8 PM. Kelley said in his WC  testimony he arrived in the evening from Kentucky and not in the afternoon. Nor is Kelley listed as a participant of the 2nd  interrogation. Sorrels and Lawson were there though.

Nor was Hosty present, Hosty was only there during the first interrogation.

Then some of the sorriest speculations are drummed up for poor ol’ Marrion Baker that the reader ought to stop right there and then, and ask for a bucket.

“Baker’s train of thought interrupted- which led to a couple of vague descriptions in the affidavit when describing his location within the unfamiliar Book Depository. Baker was
suddenly immersed in a situation where any accusatory statements he made could be misinterpreted adversely, later in a legal setting. And he apparently reacted with police
discipline and remained quiet about what he recognized. The less said, the better. But he was quite mindful of this omission. And as soon as his affidavit was typed up he
brought it into Marvin Johnson’s office. And confided to Johnson that this suspect was the same guy he’d encountered down at the Depository. He’d even “started to search the man.”

I am actually accusing Gilbride of lying and this part by itself shows that Richard Gilbride has not learned one iota from his exercise over a year ago which I rightly nailed to the cross then. 

The BS continues with Baker recognising Oswald and exclaiming that he was the man encountered as such. There is no proof for this besides Johnson’s report, who even mentions that Baker frisked him which he did not, and that Baker picked him out in a line-up. Which he did not.

If Baker, as according to Johnson had recognised Oswald as that man encountered o the 3rd or 4th floor then this would have been brought up during those interrogation right there and then! And Oswald would have had a much harder time there and then, but no….the 2nd floor encounter did not become public near noon on the 23rd. At least after two more interrogations!!!!

The speculations continue  until the end of page 6 and it is quite painful how someone can actually write this stuff based on his own deluded assumptions which are nothing but a terrible hoax.

That Gilbride has made a pact with one of the worst internet deniers in this scene by the name of Brian Doyle is nothing short of a surprise, and he even brings up one of the worst interviews ever done by Brian Doyle and the grand kids of Sarah Stanton. This interview is known for Brian Doyle leading the ladies during this interview. Doyle also shoots himself in the foot with the hearsay answer that Sarah Stanton asked Oswald was going to go out for lunch and watch the parade and at that time was holding a soda. That is before lunch! Therefore killing of any lunch room encounter, any encounter with Mrs Robert Reid after the Baker & Truly encounter as well. Yet here is Richard Gilbride using this crap for his own benefit.

What Gilbride does very well is to leave the embarrassing part out of Brian Doyle making a complete mess of himself by trying to put Sarah Stanton in the position of Prayer Man wearing a wig for professional reasons, yes dear reader a real mind boggle. Wearing a wig for pro reasons……just so she can be seen as Prayer Man. 

The massive speculation by Gilbride and the lying by Brian Doyle at various points just to stitch his own version of the evidence together has turned this whole thing into a massive joke with these two disinfo clowns. 

The Darnell film at the 6th floor museum

The Darnell film at the 6th floor museum

  

Click picture to enlarge.

 

During and shortly after the recent Lancer conference I was in contact with two individuals, who would try to get in touch with Stephen Fagin of the 6th Floor Museum and ask about the Jimmy Darnell film.  It was the late Gary Mack who mentioned a first generation copy in the museum’s possession from 2008. His last mention was shortly before he passed away in 2015. You can read more about this in the huge post I made a couple of years ago.

To some the answer to proving, as in cherry on top, that Prayer Man is actually Lee Harvey Oswald lies in the Darnell film, to me not a chance in hell unless there happens to be a sharp frame in the roughly 5 seconds of that particular film sequence. The film, and especially the happenings on the stairs, offer some value in those frames. Some of the detail has been washed out and is too blurry to actually identify all people on those steps. S some individuals could be recognised with a better copy, but when it comes to ID-ing Lee Oswald being there on the first step below the landing is doubtful.

Alan Dale asked Stephen Fagin after a talk during the Lancer Conference in Nov. 2018 about whether the 6th Floor Museum had a copy of the Darnell film and if so when could scholars get access to it?

This then got the reply: “Funny as you mention this we are about to give access to a digital 2K copy of the Darnell film in our reading room”. That is partial good news, its existence has been acknowledged, but 2K is not 4K which it should have been. Since this film could give a lot of info on T.S.B.D. employees I would have not spared any money to get the best optimal result from the 16 mm film.

Stu Wexler had one of his friends go there and I asked Scott Reid to pay the Museum a visit as he happened to be in Dallas at that time. Sadly neither could give me anything conclusive and on top of that Scott managed to tell me that he could only stop and start the movie, not zoom in nor go for a slow motion setting either, so overall that was not very helpful.

The big let down is the fact that the film can only be seen in the Reading Room inside the 6th floor museum, you have to physically be there. Copies cannot be made for copyright reasons. I have asked whether it would be possible to get some still copies and that might still be possible, the powers that be will need to give their consent before this happens, whenever that may be. Will keep you posted.