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Dave Wiegman

JFK Revisited Through The Looking Glass & Destiny Betrayed

JFK Revisited Through The Looking Glass & Destiny Betrayed

 

Last November 2021 the new Oliver Stone & Jim DiEugenio documentary film JFK Revisited Through The Looking Glass was released. Oliver Stone had quite a mission getting this documentary shared to the masses as National Geographic and Netflix had passed on screening it. It was his visit and showing at the Cannes festival that got things on track and he managed find distributors. I have watched a fair bit of JFK assassination documentaries these last 20 years, but I always have an issue with all of them, they all intend to cram in as much info as possible in them. Take a detective like Jim Leavelle i/e who was there over the three day period and summarises it in two or three sentences, where is the value in that? It never seems to work, the real evidence is missing and it is only his opinion. Also due to this assassination from a subject p.o.v. being so widespread, there is simply too much information available to squeeze in the allotted time. It is a recipe for failure. These two documentaries suffer the same issue a bit, but this one also has a huge advantage over all the others, it is evidence based for almost 100%. The people you see talking on the screen are the ones that went to the archives in Washington and pulled the records out. Not opinionated lone nutters or conspiracy theorists who never hunted for the evidence ever before. Actually labelling these people in the documentaries as conspiracy theorists is a massive insult especially when it is only archival evidence that is presented. Some reviews of these two films seem to have missed that particular meeting or just have a grudge against Stone from the word go. These type of clowns were there 30 odd years ago and obviously they are present now.

For the record I watched the 2 hour version on Showtime in Nov. 2021 and Feb 2022. And the four hour version on SKY in Dec 2021 and Feb 2022. It appears that the rest of the world gets its chance early March. I will try not to spoil too much, if you cannot handle a spoiler here and there then I suggest you quit now.

The 2 hour version, by the looks of it, uses the same material as the four hour version, but it is edited in a different way and there are some bits that get more prominence in the two hour version than they have in the 4 hour one. I will start with the two hour version titled “JFK: Revisited Through The Looking Glass”. The documentary starts with the announcements of JFK, eventually being shot and next it goes to footage of Parkland hospital where the DPD is busy cordoning the entrance off. The first thing you notice is that some of the HD film scans look very lush. At the same time some of the grainier material looks even grainier. Digitising film either makes it look great or just the opposite, there is no middle ground here. But when it does look great it really does.

DPD and USSS in front of the limo at Parkland hospital. Malcolm Kilduff in the centre of the pic. Click to enlarge.

There is also a shot of reporters leaving the press bus and make their way towards the area above. In this shot we can see at least four Dallas P.D. detectives, wearing their distinctive hats, conferring in front of this bus in the background.

Dallas PD detectives in front of press bus at Parkland hospital while the reporters rush towards the entrance. Click to enlarge

Following is a sequence of footage of Oswald in the third floor corridor inside City Hall, getting shot by Ruby and also the Warren Commission. This sequence differs with the four hour version. The issue I have with it is that there is no proper chronology factor in the footage present and everything is just mixed up and even the audio is just randomly mixed in. It is for dramatic effect, and not much else. Trying to put it in the right order is very difficult, I know as I have tried and managed to put some segments at the right time in my Anatomy of Lee Harvey Oswald’s Interrogations paper (new updated version out in April 2022), but there are also some bits where I have no exact timestamp since some of the footage is silent.

Then the bullets and especially the magic bullet are discussed. The interactive sequence showing the NARA pictures of the Magic bullet (CE 399) and also the chain of evidence is very convincingly presented. The rifle is next with Brian Edwards adding his commentary. I am just over 30 minutes in and the evidence presented up till then is already the death of the Warren Commission’s conclusion and moreover crucifies the sloppy and contradictory work of the DPD, USSS and the FBI.

Barry Ernest and his work on Victoria Adams is next and I will get back about this later as it has more in the longer documentary. The autopsy and its photographs and the people who are involved with them are next. Especially the photographic aspect of it all is lapped up by me, I simply love it.

Parkland hospital and nurses – JFK headshot. Click to enlarge.

New Orleans is next, we get to see William Gaudet of which Malcolm Blunt gathered a fair bit of documents here and here and the other usual aspects such as David Ferrie, Guy banister and Clay Shaw are featured. The James P Doyle film of Oswald handing out pamphlets of the FPCC is of good quality. Then we move to various subjects such as Oswald/CIA/Defection to Russia/Chicago Plot/Africa that are discussed in more detail in the four hour version further below. Overall the two hour version has some really good bits, there is more emphasis on specific elements like the magic bullet in this film. And if you like(d) the two hour version then you will be in hog heaven with the four hour one: JFK: Destiny Betrayed.

The intro music and footage of this one is superb, it is the same music brought to everyone back in the early 90s with Stone’s film, that tension element of it hasn’t aged one single bit. The film starts with the antics of the Warren Commission.

Members of the Warren Commission on their Dallas visit in 1964. Click to enlarge.

There is a bit of Cuba and the CIA/Anti-Castro matters entwined that were being played out in the late 50’s and early 60s. Then it is back to more WC. And then the documentary goes further afield by bringing the mess that the Belgians had left behind in Congo and the CIA is heavily involved with removing and killing Patrice Lumumba and all this is dropped in JFK’s lap and he works hard on getting things sorted. This episode by itself is very interesting to read about. There is also a very good documentary about this era called Murder in the Bush: Cold Case Hammarskjöld. I suggest you try and find it.

Just when you have settled in with a subject matter things change into a different direction. I understand there is only that much time for putting a case forward, but why present it this fragmented? And some of these subjects do return in following chapters. I am reasonably well read on the entire subject matter, but the majority of viewers are not and may be getting confused by this scattered approach. While the Africa segment is good, it deserves some more time. It then switches to the committees such as Church, Schweiker and the HSCA. There are still many documents from these three commissions redacted, classified or simply gone without a trace. My time with Malcolm Blunt’s huge personal archive has given me some good insights about what was going on, but even with what I was able to digitise it still is largely incomplete. Richard Schweiker’s remark on Jack Ruby and the Warren Commission is simply priceless. I will not spoil it any further.

Next is Robert Groden, a person I am not too comfortable with due to his truth economics. I have seen and read a couple myself and I have issues with that. I also find his Zapruder film copy not that good now shown in 2K, that is if it actually has been scanned recently and is not the same copy of what was used in Stone’s movie 30 years ago. I am looking forward seeing this all in 4K. For someone who does not own one iota of copyright on all these films and photos he has submitted for usage he sure has turned it into a lucrative business over the last 40 years. He is credited as a photographic consultant. It seems that the Sixth Floor Museum would not assist Stone with their cache of film and photo materials and this does get brought up somewhat, i/e with the Zapruder film. The Sixth Floor Museum should have cooperated with the Stone crew since they have a goldmine of great quality material. This likewise deserves a frown….it tends to point as to what side they are still on.  I reckon Groden, who was part responsible for the HSCA creation and Stone whose film got the ARRB erected have something in common and in part can credit themselves for what they did in retrospect.

Robert Groden, Dealey Plaza. Click to enlarge.

Next thing the first episode of the documentary brings up is Oswald’s alibi and I can only conclude that the makers make a whopper of a mistake by solely relying on the research of Barry Ernest and that is just not good enough. Perhaps ten years ago it may have carried some weight, but not any more. Plus if you can go all guns blazing on the autopsy related matters and bring a set of researchers forward then why not on Oswald’s last 46 hours. In the last ten years there has been a wagon load of new evidence brought up. This website digs a lot deeper than what Ernest wrote and a huge opportunity to set the record straight was missed. I am not sure whether this is because certain politics are being played in the background and only put forward a theory which many older conspiracy theorists have subscribed and cemented themselves to. This is something an uber liar like Will Fritz and fellow law enforcement personnel have put forward and has been a ‘belief’ of these conspiracy theorists ever since. There is a ton of evidence which disputes this lunchroom encounter ever happening. Furthermore there is nothing put forward with regards Oswald’s interrogations and the reports thereof and where and what he was doing during these crucial moments of the JFK Assassination. The job done on this segment of the documentary is a letdown, to say the least. I wish to make clear that I am not putting myself forward as someone that should have been part of this documentary. I will be doing my own thing later this year. The case I have to present will be multi faceted and would not stand a chance, due to time constraints, on a platform as this docu.

Episode two and it’s autopsy time, quite a few heavy hitters are there and it is fact after fact that gets presented to the viewer and I have to say that it is great to see them doing this, for the 2 hour version this was my fave section. The medical & autopsy sections, could fill more than a solid hour by itself. Again the facts obliterate the official version. What does deserve a separate mention is Malcolm Perry who stated during a press conference, of which all audio has been suppressed/confiscated/stolen fill in by yourself, but a transcript 1327 C still exists, and I suggest to check out page 5. The throat wound is an entrance wound and ‘people’ called Dr Perry that same evening and wanted him to change that. That amounts to two frontal shots…….

Then it is back to foreign policy; Vietnam, Algeria, Iran, Guatemala, Indonesia and so on. Followed by more Warren Commission and the shooting sequence, the rifle and the bullets.

Carl Day and the Carcano.

Then Oswald gets his chance to appear and there is a fair bit of hallway footage of which most is already available on YouTube, this is just better quality, but there is too much cutting for my liking. Nor is there any chronology in this segment. Pivotal bits are left out. BUT! The biggest faux pas is the horn honking in the basement sequence just before Ruby kills Oswald and is presented as some sort of ‘go’ signal for the killing to be happening. Nothing could be further removed from the truth. If you watch the entire sequence of film taken way before the shooting you would understand that several times horns are honking as the armored truck which was supposed to be taking Oswald to prison was replaced for Fritz’s car. In the video you can see a car coming in and going out and the horn is being used to alert the gathered cops and press of their movements. The first double honk is at 11:10, the next one at 11:44, then 11:48, at 12:25 a car is coming through and the press needs to break up at roughly the spot where Ruby was positioned before he leaped out, 12:51 another honk, at 13:21 Will Fritz becomes visible and the horn honks again and finally at 13:25 just while Ruby is leaping out the final honk. Nothing funny nor conspiratorial about it. The car is actually coming down the ramp while Oswald is being shot. As you can see Ruby’s jacket is being lit up by the front head light and the car rolled down the ramp while Ruby had jumped in. The car slightly touches Ruby and makes him lose his balance a tad, and is enough for the cops to jump on him and wrestle the gun away from him. This is a blemish on otherwise a very strong documentary. And that is because it did not check the evidence properly.

Jack Ruby shoots Lee Harvey Oswald. Will Fritz has a so called ‘HUH’ moment. Click to enlarge.

That this whole transfer was as amateurish as a local village cabaret show is beyond any reasonable doubt. Will Fritz walked way too far ahead of Oswald and his escort and created a gap for Ruby to jump in to kill him.  Fritz’s response to this ‘thing’ was even more laughable and can be seen in the shot above when Ruby has shot Oswald already.

George G Burkley. Click to enlarge.

Episode three starts of with Rear Admiral George G Burkley and more of the autopsy, and he does not care to be quoted on how many bullets entered Kennedy’s body. Well if that isn’t telling then what is. Then over the next 30 or so minutes more facts are coming forward related to the autopsy itself, the photos, the brain and so on, all this has a significant meaning. I will not spoil it any further, see it for yourself while you are machine gunned with documentation and statements. Then it goes into the bullets and the limo. And then it changes direction with Washington politics and the rest of the world. Latin America, Middle East, Cuba and Vietnam are for obvious reasons part of it. All of it is very interesting. John Newman, Doug Horne, James K Galbraith are the select few to add their knowledge to it. Lastly we get to the Air Force One tapes and General Curtis LeMay and the Bethesda autopsy where he was present and smoking a cigar.

The fourth and final episode begins with the intelligence angle(s) related to this case. Oswald being at the centre of it all while in Russia and the intelligence games surrounding it. Tennent ” Pete” Bagley is part of this segment, Bagley is someone Malcolm Blunt has been researching deeply and has been in contact with several times while he visited him in Brussels.

Malcolm Blunt & Oliver Stone. Click to enlarge.

Then it moves to whether the CIA was fully briefed and had records on Oswald and as Jefferson Morley points out that they had him on their radar once he defected to Russia in 1959. Up to a week before the assassination reports were being sent, a find by the ARRB. This is followed by the New Orleans chapter and of course the usual suspects pass by Guy Banister, David Ferrie, Clay Shaw, George Joannides and of course the DRE . The New Orleans chapter by itself would need at least an hour to do it some justice as the material that is around is vast (I should know as I scanned loads of it in).

Then the destruction of the Secret Service records is next, they did this after the ARRB had requested them. They were held in complete disregard and the USSS went along with the destruction anyway. This is then followed by the FBI’s cancellation (by Marvin Gheesling) of the Oswald FLASH only a few weeks before the assassination of JFK. It would mean that Lee Harvey Oswald was not on the security index and the Secret Service would not deem him to be a person of interest. If he had been then they would make sure he would not be in close vicinity of The President’s motorcade. The Chicago and Tampa plots are brought up as well, and it is especially the Chicago one that has some very disturbing facts to present. Jim Gochenaur talked to Elmer Moore and I suggest you check out some of these YouTube interviews after watching his part in this documentary. It is a pity Abraham Bolden is missing from this documentary.

Next are the Civil Rights issues that were a huge thing in the south of the US at that time. The funny thing is that this is very much overlooked when it comes to discussing the JFK Assassination. I myself find elements protruding into the investigation of the TSBD and the DPD in general. People rather avoid talking about it, yet it was quite a big part of Southern society at that time when the after effects of the horrific Jim Crow laws were still in play.

Finally it is back to foreign policy, better yet the change thereof after the assassination of JFK. John Newman shines a strong light on NSAM 273 of which some of the lingo is being deleted and re-written which is ordered by LBJ. Then the final moments are of MLK and RFK, as they were assassinated too. All three in a 5 year timespan.

Overall and taken both works into consideration my end verdict is 8.5/10. Of course there are bits that could have been done better, but take all of it into account and you are looking at a very solid documentary. It baffles me how some people review this documentary and try to nitpick through the wealth of evidence presented and then try to sow doubt or just hammer on about a small dispute without providing one iota of evidence against it. These losers deserve nothing but scorn for their agenda driven rubbish.

I say go watch them both, maybe not all in one go, but there is nothing else of this calibre around. I am upping the ante a tad more by stating that most other JFK assassination documentaries look like dog shit in comparison to the Stone & DiEugenio attempt.

It’s on SKY in the UK.

The links to some of the documents are from Malcolm Blunt’s archive. With thanks.

Jimmy Darnell Footage

Jimmy Darnell Footage

 

Updated:

Sept. 13 2019.

March 13 2021.

Denis Morissette pointed out on FB these two videos of Jimmy Darnell being interviewed and filmed while in the basement of KXAS. The videos have been recently released via the UNT site and are from the WBAP later to become KXAS and these days known as NBC5.

In the first clip you can see Darnell looking at a strip of 16MM film on a reel, this strip is of the front of the T.S.B.D. segment. Now this may not even be his film, but Dave Wiegman’s instead. I am simply amazed that he is looking at this film, which supposedly disappeared into NBC’s archives in N.Y. Yet here we are looking at an original or a very good copy of it.

This is the film no one knows where it is, by the looks of it from this segment and the next the copy they have digitised for these videos looks of great quality. Question is at what resolution did they digitise the film? And where is it now?

Click to enlarge.

In the second clip (skip to 01:05) Darnell is doing narration of him running ‘this is where I bail’, but the Wiegman film is on the monitor and more importantly Dave Wiegman ran on the pavement on the right side of Elm St. whereas Jimmy Darnell ran on the grassy left side of Elm where he eventually filmed as the press buss passed in front of him.

Jimmy Darnell, on the far left, after he got out of Camera Car 3.

Jimmy Darnell in Wilma Bond 5 filming while the press bus passes in front of him. Click to enlarge.

There is also a third clip.

Take a good look at this video compilation of Darnell footage by Denis Morissette and you will see that he is on the left side of Elm.

Wiegman was in Cam Car 1, whereas Darnell was in Cam Car 3. His footage is roughly 10-15 seconds after Wiegman shot his segment of the front of the T.S.B.D.

Both these two segments are odd as NBC5 used the Wiegman film assuming it was Darnell’s. But more importantly NBC5 had a 16MM copy of the Wiegman film!

The same Wiegman segment is used in a remembrance  news feature after Jimmy Darnell’s passing.

 

The sun plane

The last week there has been some debate about an old myth: The Sun Plane in the Prayer Man images.

Originally brought up by Brian Doyle in his many word salad postings a couple of years ago, and in that whole period Doyle has never brought forward how it is supposed to look or give a rough estimation of it. So like a flat earther he ended up posting “his findings” on the net and everybody else would have to believe his “research” on his say so.

This tactic doesn’t work very well for Doyle, people are smarter than that. And yes Doyle = Cinque, there is no doubt about that.

Then there was Barry Pollard who posted  an image of Billy Lovelady going down the steps in the Wiegman film and claimed that Lovelady wore a black jacket as he could not explain the shadow on the left half on Lovelady’s (2) torso.

Yet with Bill Shelley (3) in the background it could be that Lovelady walks exactly halfway in the shadow and the sun. Be aware that this is an enlargement of a small detail of a 16 mm film shot with a wide angle lens. The steps occupants look much closer together due to these factors.

Prayer Man = 1, Billy Lovelady = 2 and Bill Shelley = 3. Click pic to enlarge.

Click to enlarge.

Take a look at the shadow of the people at the front and the sharp angle it is coming at, granted they may not stand exactly parallel to the people on the steps, but for a rough indication this ought to show that the shadow is much longer than originally discussed.

I can pinpoint it even more precise.

Take a look at Buell Wesley Frazier in the Darnell film. And you will see the shadow of the top left corner of the wall (just underneath the TSBD sign) creates a shadow of a 90 degree-ish angle on him, his head is in the shade no less. Above Frazier and JoeMolina is a glass pane and that is partially illuminated and so is the glass on the far eastern side. This illumination is from a reflection of the eastern wall.

Click pic. to enlarge.

Look at Maddie Reese in both images, in Wiegman standing southwesterly below Lovelady in Wiegman and Frazier in Darnell.

Click to enlarge.

So now anyone drawing the TSBD steps in 3D is able to pinpoint how the sun plane is actually going correctly as so far no one has done this as it ought to be. The shadow ends up way more Eastwards than has been shown so far. And honestly I trust the photos more. Furthermore the three people that have started to make 3d drawings of the steps of the T.S.B.D. put the shadowline in as a 2d object, whereas the shadow would resemble some sort of half a sphere instead.

Thanks to Brian Kelshaw.

Thanks to Brian Kelshaw.

You are welcome Brian Doyle!

Billy Lovelady was not standing on the top of the steps

Lately a few individuals have tried to claim that Prayer Man was very short and they used ‘calculations’ and the ‘fact’ that Lovelady was standing on the landing when Dave Wiegman filmed the front of the TSBD. They  used Lovelady’s height to ‘prove’ that Prayer Man (read: Lee Harvey Oswald) was way shorter and could not possibly be Oswald.

Let’s debunk this shall we?

All types of faulty and/or made-up calculations and lines drawn on a picture were presented as analytical research, none of which was supported by any type of evidence. No one bothered to mention what camera Wiegman was using, nor could any one present an exact location as to where Wiegman was filming from, add on that all this happened while the vehicle he was standing in was moving which makes it even more difficult to ascertain Wiegman’s position.

In short: utter junk science that no one else than the believers Richard Gilbride and Albert Doyle seemed to subscribe to and they ended up trolling a few forums with their science.

While going through the photos of the Wiegman film I came across a neat little find two days ago, something that I was only able to do so as we managed to get a high resolution scan from the NARA archives in the Richard E. Sprague collection.

The find was Bill Shelley (underneath No.3), with Prayer Man being No. 1 and Billy Lovelady No. 2. This pic. is from the second segment Wiegman filmed of the front of the TSBD and it also shows that Lovelady has stepped down (compared to his position in the first segment) and it also shows that Shelley has moved slightly more to the left (he is now behind Otis Williams whereas he is more to the right of him in the first segment, see the 4th photograph below). This is a good indicator that while the shots were fired they already made a move to go down and check out what was going on. The two Gerda Dunckel GIFs show that Shelley and Lovelady had left the steps and made their way to the rail road yard further west of the building within seconds after. I go in great detail about this  HERE.

Shelly was standing on the top of the landing. Whereas Lovelady was not, as he stated in 1964 in an article by Dom Bonafede “I was standing on the first step” 

q Prayer Man, Billy Lovelady and Bill Shelley in the Wiegman film. Click pic to enlarge.

Lovelady had a very curious attitude as he is seen in much lower on the steps and to the left, behind Roy Lewis/Carl Edward Jones in the Hughes film. This is while the motorcade is turning on to Elm St.

Lovelady in the Robert Hughes film. Click pic. to enlarge.

Altgens 6 shows that Lovelady moved up and further to the right, his distance is further away from Jones.

Billy Lovelady in Altgens 6, click pic. to enlarge

 

Brian Doyle and Richard Gilbride have been claiming, that Prayer Man is too short to be Oswald. This of course is not supported by anything but made-up calculations and picking up pseudo science from other peeps such as Drew Phipps and presenting pix with neat little lines and numbers that basically amount to nothing. Not one person at the forums this bunk was posted at supported any of it.

The kicker is that Lovelady was not standing on the top landing, because he is seen leaning against the railing in the first segment of the Wiegman film. Check his body posture compared to all other individuals on  those steps, they are all standing straight, even though Lovelady is following the events happening down Elm St and his body is turned into that direction his body posture shows he is leaning. Take a look at the 2nd segment photo and you see that Lovelady is standing straight on the steps, as he is making a move going downwards.

 

 

Lovelady leaning in Wiegman, click pic. to enlarge.

Lovelady stepping down, click pic. to enlarge.

The issue with that is you cannot lean against the railing while standing on the top landing!

See for yourself in the photograph below. The railing is mounted flush on the vertical part of the last step leading to the landing, the bar of the railing would be slightly in front of the landing.  The deniers will claim that it is still possible, yet it would be so awkward and since Lovelady’s posture doesn’t ascribe to that it is safe to say that Lovelady from standing just behind Roy Lewis / Carl Edward Jones moved upward and to the right to the 5th or the 6th step of the TSBD stairs.

 

 

Front steps TSBD

 

But why do we not throw something valuable on top and that is a statement by Lovelady himself in May 64 published in the NYHT by Dom Bonafede.

The lens Wiegman used was a wide angle lens, this creates distortions and Lovelady while moving downward as in the 2nd segment would appear slightly taller than Prayer Man since he is, by that time, standing more forward.

But what is more important is that Prayer Man is of roughly the same height as Lovelady and THAT makes Prayer Man, besides the enormous amount of other evidence a prime candidate to be Lee Harvey Oswald.

No stranger

No woman

No other TSBD worker has been identified for that position.

Oswald himself said: ”Out with Bill Shelley, in front”.

No dwarf either.

Brian Doyle and Richard Gilbride should get back to the drawing board and come up with their next scheme as this one, like their previous ones is dead in the water.

 

***

 

Then there is another issue as to what Prayer Man was doing with the shiny object he is bring towards his face.

On my calibrated screen (and if you do not have one you may experience issues seeing this clearly as I do) the Wiegman film shows he using one hand (his right) to bring iot towards his mouth. This is not a camera! But more than likely the bottle that was photographed in Prayer Man’s position after the deed.

Close-ups of Robin Unger’s gif.

 

Ochus Virgil Campbell in the NYHT

I try to get the best possible quality media and graphics for the movie I have done and also for the next version I want to release this year. For this I had a little list of gaps that needed to be filled in. One of the pieces I wanted to get was the article from the New York Herald Tribune from Nov 22nd. In research circles this article contains a quote by Ochus V. Campbell which has been used by Sean Murphy i/e, but I never managed to see the article itself. If I am not mistaken it was Sylvia Meagher who used it in her book Accessories After The Fact as a first, but no one actually bothered to dig it out.

At ROKC we had a little discussion and I pointed out I wanted to have this piece for my film and after I found the actual physical copy of it on eBay and noted that the postage was 150% of the actual sale price Stan Dane who wrote Prayer Man: Out of the Shadows and Into the Light, graciously offered to buy it for me. Once he got it in his mail box he made a high res scan and sent it to me.

Sadly there isn’t a way to ascertain who actually wrote the piece, but what matters is that I have the physical piece that shows the quote by Ochus Campbell. He was Roy Truly’s boss. He is to this day quite an elusive character and very little is known about him, nor have I many pictures of Ochus Virgil Campbell. If you read this and you do, please contact me, as all we have so far is him standing next to Roy Truly in the Wiegman film on the far right of the frame below.

Ochus V Campbell, click pic to enlarge.

Stan Dane posted a piece about this on his Prayer Man FB page. Next thing I know Vince Palamara picked up upon this as well, I feel left out dammit ;)

So here is the scan of this particular piece from the New York Herald Tribune. What is so special about this?

Well for starters it is a direct quote, the actual article was written on Nov. 22nd and published on the day after. And this is important information that confirms that Oswald was on the 1st floor in the TSBD close after the shooting of JFK. What is also interesting is that Ochus Campbell, as time progressed, tried to distance himself more and more from Lee Oswald; that he barely knew him and so on. The documents regarding this can be viewed at the Ochus Campbell page.

Ochus Virgil Campbell in the NYHT Nov 22 1963

Prayer Man The Movie Release

Yes!!!!!!!!!

Here it is, finally :) Go full screen for a maximum visual experience, as it is upped at 1080 pixels.

Enjoy